While infatuation is an intense, all-absorbing passion, love is more of a choice. Infatuation consists of fickleness, lacks all sense of reason, and can be very short-lived. Love, on the other hand, revolves over a decision to continue to trust, admire, and stay committed to a certain person. Ultimately, love is a feeling that continues to deepen progressively throughout a relationship, even after both partners come into contact with one another’s true selves. In William Shakespeare’s tragic yet classic western play, Romeo and Juliet, two so called ‘star- crossed lovers’ make decisions hastily, based on only their emotions at a given time. The authoritative emotions Romeo and Juliet experience block any foresight they may have had into the potential results of their actions Romeo and Juliet’s infatuation with each other clouds their judgment and decision-making because they lose their independence as they grow more in love with each other, they would rather have each other than their family, and they feel that love is more important than life. Newly unblemished couples often tend to be deceived by their supposed loved one due to the overwhelming amount of devotion given to each other.
When Romeo and Juliet met, both of their initial impressions involved the acknowledgment of prepossessing physical traits. Romeo expresses his admiration for Juliet’s exterior when he delineates Juliet as “a rich jewel in an Ethiop’s ear… a beauty too rich for use“. Through the use of corporeal imagery, Romeo promptly continues to fantasize about his possible subsequent encounters with Juliet, except he merely distinguishes her as an allure product. In his eyes, Juliet is simply an item who is the most beautiful girl Romeo has met now that he is not with Rosalyn, Mercutio, an inexperienced man who is not familiar with love the way most people are, plays an extensive factor in Romeo and Juliet‘s death as well. Since the moment Romeo laid his eyes on Juliet, Mercutio has been there to give him advice ranging from how to get away with seeing her when she’s a Capulet, to how falling in love with Juliet should not be an option because of many reasons.
With Mercutio as a companion, Romeo has difficulty distinguishing what is morally right or wrong when he is around Juliet or speaking of heri Juliet was clearly objectified continuously by Mercutio and Romeo, as she is seen as only something beautiful, yet foolish for loving and depending on Romeo, who can be treated in any way in which others with benefit from a situation. When Mercutio tried to prove a point about love being pointless he questioned Romeo by asking, “Why, is not this better now than groaning for love? Now art thou sociable, now art thou Romeo, now art thou what thou art, by art as well by nature. For this driveling love is like a great natural that runs lolling up and down to hide his bauble in a hole”. Shakespeare made sure to include some references and prime example as to how exactly Mercutio feels about love, one in which he included a sexual pun by incorporating lines 93-93.
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Although Romeo swears he feels things he never knew could spark in him for Juliet, Mercutio‘s words stay in the back of his mind at all times regardless Needless to say, Romeo ‘fell in love‘ with Juliet second within describing all her physical features, Though it is possible for someone to be attracted to a certain person because of their masculinity, facial features, etcr love does not arise in a relationship if there were no connections to begin with, Evidently, Romeo’s decisions and choices affected his initial thoughts for Juliet, which took away his moral judgement and led to their overall death, A limit did not exist when it came to Romeo and Juliet’s love, nor did boundaries or careful considerations One would think that it is only right andjust to put family before anyone and anything without even thinking about such topic, but that was not the case for Starry—eyed, Juliet, As mentioned before, Mercutio was not a very just man.
This statement derived from the fact that he was willing to kill his best friend’s, Romeo’s, lover’s brother, Tybalt because of the fact that he was a Capuleti Although, it was Romeo who ended up killing Tybalt after he murdered Mercutioi When the news struck to Juliet, is own sister, she was torn between who she should pity while saying, “0 serpent heart hid with a flow’ring face! Did ever dragon keep so fair a cave? Beautiful tyrant, fiend angelical! Dove-feathered raven, wolves-ravening lamb! Despised substance of divinest show! Just opposite to what thou justly seem’st, A damned saint, an honorable villain…”
As soon as the news hit Juliet, she did not waste any time expressing her love for Romeo even though he had just killed her only sibling. Not to mention, moments before Juliet realized it was Tybalt who died, she had originally thought Romeo had died and threatened to kill herself. Not only does the previous quote reveal how Juliet was willing to commit suicide if Romeo had died, but it also proves how, to both lovers, their love is more meaningful than life itself. Romeo, too, was more than willing to end his life when he believed Juliet was dead and would not live a life next to him by confirming and saying, “Here’s to my love, 0 true apothecary, Thy drugs are quick. Thus with a kiss I die”.
Although this scene is self-explanatory, It becomes completely clear now that Romeo has taken the vile decision to drink the poison and die next to Juliet. Immaturity, lack of consideration, obsession, and most importantly, infatuation are all revealed and seen in Romeo when he ends things once and for alli Romeo and Juliet were evidently infatuated with each other, rather than ‘in love’ as many characters in the play believed and labeled them to be. Ironically, factors such as rebellion and immaturity triggered both of their death’s without them knowing, when Romeo and Juliet thought they were fighting for their love against their family feud. Throughout the play, their love for each other intensifies as their love grows, while being proven by certain acts, beliefs, and the free will of death.
