During the 1920s, the spiritual, social, and literary eagerness that raced through Harlem could be called the most important period of self-discovery in African-American history after the Civil War. Black literature went through a tremendous outbreak in Harlem, which is a district of New York City. In the middle of the changing atmosphere, a small group of black men and women began a public relations campaign to promote what they called the New Negro] movement. While these men and women promoted art and literature, they were credited with starting much more than just and intellectual movement. This movement included poetry and writing, which forever changed the African-American lifestyle into a unique and more educated culture.
As the African American culture expanded their horizon, and viewed passed the obstacles and barriers that were set by other ethnic groups, many families migrated to the northern cities, including New York City. Harlem was a magical, transforming place then, and that was especially true for the forsaken civilians who went to New York in search of a greater opportunity. Many believe, the Harlem Renaissance truly began, when W.E.B. Dubois, editor of The Crisis magazinel published (The Souls of Black Folks. He stated that one ever feels two-ness-and American, a Negro, two souls, two thoughts, two unreconciled stirrings: two warring ideals in one dark body, whose dogged strength alone keeps it from being torn as under. There was an immediate reaction, it was clear that literature was definitely one art form that could bring the black culture together.
Even though slavery had been abolished 75 years earlier, were still able to relate to racism. For the first time, African Americans felt open minded, and in which their creativity strongly impacted every field of art and entertainment. They viewed poetry and writing as a form of expression, as a form of freedom and escape during the troubled life that many lived. As more and more people moved into Harlem, the job opportunities became larger. People felt confident and took greater risks. They often wrote about alienation and their own life stories, which were directed mostly to African American people and the third world of Africa, Asia and Latin America.
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Very few became successful and flourish in every literary area. The decade just past was the oleomargarine era of Negro writing, Hurston said (editor of Opportunity magazine). Oleomargarine is the fictionalized form of butter. And so the writings that made out they were holding a looking-glass to the Negro had everything in them except Negroness. People looked passed the skin color and, honor them rightfully with awards, prizes and fellowships. This was a goal achieved by many, which only helped the NAACP National Association for the Advancement of Colored People movement and slowly built self-confidence.
The growing popularity in Harlem had been used as a unique opportunity to create a positive public image of blacks in the American society. In their popular essays, novels, plays, and newspaper articles, this well-known group set out to change stereotypes of the black culture. All in all the poetic movement became joy and hope to some, and perhaps to others it was an inspiration and a guide for the future generation to come. On the day of March 1924, the Harlem Renaissance was publicly recognized, where members of the NAACP such as Langston Hughes, W.E.B. Dubois, Claude McKay, Countee Cullen became the dominating voices in American Literature of this century. It is up to us to learn from our mistakes from the past and give the next generation a better future.
