Essays on The Tempest

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Female Characters in “The Tempest” Summary

Pages 7 (1 546 words)



The Tempest

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Comparison of Shakespeare’s “The Tempest” and Shelley’s “Frankenstein” Analytical Essay

Pages 6 (1 411 words)


The Tempest

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Shakespeare’s “The Tempest” and Yaa Gyasi’s “Homegoing” as a Post-colonial Literature Analytical Essay

Pages 13 (3 040 words)


The Tempest

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Gonzalo in William Shakespeare’s “The Tempest” Analytical Essay

Pages 3 (593 words)



The Tempest

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Colonization Viewpoint in “The Tempest”

Pages 2 (425 words)


The Tempest

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Play Comparison of “Lysistrata” and “The Tempest”

Pages 11 (2 532 words)


The Tempest

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Theme of Revenge in Shakespeare’s “The Tempest”

Pages 4 (964 words)


The Tempest

William Shakespeare

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Check a list of useful topics on The Tempest selected by experts

“Creator” and “Creature” Monsters in The Tempest and Frankenstein

A Close Study of How Ariel and Prospero Are Introduced in The Scene 2 of The First Act in The Tempest

A Different Mirror: Takaki’s Use of the Tempest

A Look at Comic Elements in Our Country’s Good and The Tempest

A Look at The Macabre and Analogous Role Played by Prospero in The Tempest

A Review of The Second Scene in Shakespeare’s The Tempest

Aime Cesaire’s The Tempest as a Critique of Colonialism

Analysis of Prospero as a Public Ruler Or Solitary Wizard in The Tempest

Analytical Analysis of The Tempest

Another Glimpse on Courtly Love from The Tempest by Shakespeare

Assignment On The Tempest

Bringing It All Together – the Tempest

Caliban a Tempest vs. Caliban the Tempest

Charles Performance of the Tempest

Colonialism in The Tempest

Comparing Power in The Tempest and Othello

Elemental Powers in Shakespeare’s The Tempest

Family Relationship in The Tempest

Free Tempests: Relevance of The Tempest Toda

Hast Thou, Spirit, Perform’d to Point the Tempest That I Bade Thee?

How Does the Relationship Between Prospero and Ariel Change During the Tempest

How Shakespeare Uses The Masque Genre in The Tempest

Imperialism In The Tempest

Intersections of Race, Class, and Gender in the Tempest

Night of the tempest

Prosper and Clinical In The Tempest

Prospero’s Behavior in The Tempest is not so Virtuous

Relevance of the Tempest in the Modern World

Review Of Shakespear’s The Tempest

Significance of The Menacing Force of The Sea in The Tempest

Stuff: Power and Magic in The Tempest

Tempest Research Paper The Tempest is

The Nature of the Tempest

The Obsessive Creativity of Prospero in The Tempest

The Other in the Tempest

The Power of Love in William Shakespeare’s Play The Tempest

The Refinement of Caliban in The Tempest

The Role of Loyalty in Shakespeare’s The Tempest

The role of the supernatural in the Tempest

The Tempest and Equality


William Shakespeare

originally published

November 1, 1611


The Tempest is a play by English playwright William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone.


Prospero, Caliban, Ariel, Miranda, Ferdinand, Alonso


Play by William Shakespeare

Villain: Caliban

Genres: Drama, Tragicomedy, Romantic comedy

It is thought to have been inspired by Shakespeare’s reading of a real-life event described by a voyager: On July 24, 1609 a fleet of nine English vessels was nearing the end of a supply voyage to the new colony of the Bermudas when it ran into “a cruel tempest,” presumably a hurricane.

The play is set on a remote island and Prospero’s home is near the shore. The island is inhabited by spirits, lead by Ariel, who have magical powers. Prospero has developed his use of magic on the island.

The Tempest ends with a general sense of resolution and hope. After four acts in which Prospero uses magic to split up, disorient, and psychologically torture his enemies, in the final act he lures everyone to the same spot on the island and forgives Alonso and Antonio for their betrayal twelve years prior.

The Tempest Summary. Prospero uses magic to conjure a storm and torment the survivors of a shipwreck, including the King of Naples and Prospero’s treacherous brother, Antonio. Prospero’s slave, Caliban, plots to rid himself of his master, but is thwarted by Prospero’s spirit-servant Ariel.

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